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MAHLER...Lieder der Jugend Songs of Youth and Awakening
Gustav Mahler

Joseph Middleton

MAHLER...Lieder der Jugend Songs of Youth and Awakening

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212100622
Catnr: SIGCD 1006
Release date: 10 July 2026
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1 CD
€ 19.95
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Label
Signum Classics
UPC
0635212100622
Catalogue number
SIGCD 1006
Release date
10 July 2026
Album
Artist(s)
Composer(s)
EN

About the album

This album explores Gustav Mahler’s early songs, tracing the emergence of his distinctive musical voice. Featuring works from his youthful Lieder alongside the complete Lieder eines fahrenden Gesellen, the programme reveals the composer’s evolving relationship between song and symphonic thought. Performed by an ensemble of distinguished vocal soloists with pianist Joseph Middleton, the recording highlights Mahler’s sensitivity to poetry, emotional nuance, and dramatic storytelling. Rooted in folk-influenced texts, these songs reflect themes of nature, love, memory, and self-discovery, offering insight into the formative creative period that shaped Mahler’s later orchestral masterpieces.

Artist(s)

Joseph Middleton (piano)

Joseph Middleton is widely regarded as one of the most exceptional and creative pianists of his generation, specialising in song accompaniment and chamber music at the highest international level. Hailed by Gramophone as 'the absolute king of programming', and by the New York Times as “the perfect accompanist”, he collaborates with many of the world's foremost singers, performing at venues and festivals across Europe, North America, and Asia.  A passionate advocate for the power of song, Joseph is the Artistic Director of Leeds Song, praised by The Guardian for its 'world-class' programming and by The Times as a 'Northern powerhouse of song”. He also curates series for BBC Radio 3, Wigmore Hall, and the University of Cambridge, where he founded and...
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Joseph Middleton is widely regarded as one of the most exceptional and creative pianists of his generation, specialising in song accompaniment and chamber music at the highest international level. Hailed by Gramophone as "the absolute king of programming", and by the New York Times as “the perfect accompanist”, he collaborates with many of the world's foremost singers, performing at venues and festivals across Europe, North America, and Asia. A passionate advocate for the power of song, Joseph is the Artistic Director of Leeds Song, praised by The Guardian for its "world-class" programming and by The Times as a "Northern powerhouse of song”. He also curates series for BBC Radio 3, Wigmore Hall, and the University of Cambridge, where he founded and directs their Lieder Scheme. Joseph is Musician in Residence at Pembroke College. He is a Fellow of the Royal Academy of Music, where he is a Professor of Ensemble Piano, and was made a Bye-Fellow of Pembroke College, Cambridge by Lord Chris Smith. Joseph is the first —and to date, only—accompanist to receive the Royal Philharmonic Society’s Young Artist Award, the UK's most prestigious recognition for a classical musician. He has enjoyed fruitful partnerships alongside Sir Thomas Allen, Louise Alder, Mary Bevan, Ian Bostridge, Allan Clayton, Dame Sarah Connolly, Marianne Crebassa, Veronique Gens, Iestyn Davies, Fatma Said, Huw Montague Rendall, Christiane Karg, Sir Simon Keenlyside, Elsa Dreisig, Angelika Kirchschlager, Katharina Konradi, Dame Felicity Lott, Christopher Maltman, John Mark Ainsley, Ann Murray DBE, James Newby, Mark Padmore, Konstantin Krimmel, Mauro Peter, Miah Persson, Sophie Rennert, Dorothea Röschmann, Carolyn Sampson, Nicky Spence and Roderick Williams. His award-winning discography on Warner, Harmonia Mundi, BIS, Chandos and Signum, amongst others, includes multiple honours: the Diapason d’Or, Edison Award, and Prix Caecilia, alongside nominations for Gramophone, Opus Klassik, BBC Music Magazine, and International Classical Music Awards. Committed to expanding the song repertoire, he has commissioned and premiered works by composers including Thomas Adès, Helen Grime, Mark - Anthony Turnage, Hannah Kendall, Errollyn Wallen, Mark Simpson and Nico Muhly.


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Composer(s)

Gustav Mahler

During his own time, Gustav Mahler was considered as one of the major conductors of Europe, but nowadays he is considered to a major composer who bridged the Late Romantic period to the modern age.  Few composers are so connected with the symphonic repertory as Gustav Mahler. Composing symphonies was his 'core business': in every aspect he developed the symphony towards, and sometimes even over, its absolute limits. Almost all of Mahler's symphonies are lenghty, demand a large orchestra and are particularly great in their expressive qualities. With rustic and mythical atmospheres (the start of the First Symphony), daunting chaos (the end of his Sixth), grand visions (end of his Second), cheerful melodies (opening Fourth), romantic melancholy (the famous adagio of...
more

During his own time, Gustav Mahler was considered as one of the major conductors of Europe, but nowadays he is considered to a major composer who bridged the Late Romantic period to the modern age.

Few composers are so connected with the symphonic repertory as Gustav Mahler. Composing symphonies was his "core business": in every aspect he developed the symphony towards, and sometimes even over, its absolute limits. Almost all of Mahler's symphonies are lenghty, demand a large orchestra and are particularly great in their expressive qualities. With rustic and mythical atmospheres (the start of the First Symphony), daunting chaos (the end of his Sixth), grand visions (end of his Second), cheerful melodies (opening Fourth), romantic melancholy (the famous adagio of his Fifth), evocations of nature (his Third), megalomanic eruptions in the orchestra (his Eighth), and the clamant atonality of his unfinished Tenth, Mahler's musical palette seemed inexhaustible.

His symphonies are captivating, but some could find it a bit 'over the top' at times. For those, his orchestral songs could undoubtedly show there is an incredibly subtle and refined side to his compositional style as well.

In the Netherlands, Mahler is particularly popular due to its close bond with the Royal Concertgebouw Orchestra, which was already established during his lifetime!


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Press

Play album Play album
01.
Lieder und Gesänge, Vol. 1: No. 1, Frühlingsmorgen
02:02
(Gustav Mahler) Joseph Middleton, Sophie Rennert
02.
Lieder und Gesänge, Vol. 3: No. 11, Ablösung im Sommer
01:49
(Gustav Mahler) Joseph Middleton, Katharina Konradi
03.
3 Lieder GMW2-4: No. 1, Im Lenz
02:49
(Gustav Mahler) Joseph Middleton, Mauro Peter
04.
3 Lieder GMW2-4: No. 2, Winterlied
03:15
(Gustav Mahler) Joseph Middleton, Katharina Konradi
05.
Lieder und Gesänge, Vol. 3: No. 12, Scheiden und Meiden
02:19
(Gustav Mahler) Joseph Middleton, Mauro Peter
06.
Lieder und Gesänge, Vol. 3: No. 10, Zu Strassburg auf der Schanz
04:17
(Gustav Mahler) Joseph Middleton, Mauro Peter
07.
Lieder und Gesänge, Vol. 2: No. 7, Ich ging mit Lust durch einen grünen Wald
05:02
(Gustav Mahler) Joseph Middleton, Sophie Rennert
08.
Lieder und Gesänge, Vol. 2: No. 9, Starke Einbildungskraft
01:07
(Gustav Mahler) Joseph Middleton, Katharina Konradi, Mauro Peter
09.
Lieder und Gesänge, Vol. 1: No. 2, Erinnerung
02:50
(Gustav Mahler) Joseph Middleton, Sophie Rennert
10.
Lieder und Gesänge, Vol. 3: No. 14, Selbstgefühl
01:56
(Gustav Mahler) Joseph Middleton, Katharina Konradi
11.
Lieder und Gesänge, Vol. 1: No. 3, Hans und Grete
02:10
(Gustav Mahler) Joseph Middleton, Sophie Rennert
12.
Lieder und Gesänge, Vol. 2: No. 6, Um schlimme Kinder artig zu machen
02:01
(Gustav Mahler) Joseph Middleton, Katharina Konradi
13.
Lieder und Gesänge, Vol. 2: No. 8, Aus! Aus!
02:20
(Gustav Mahler) Joseph Middleton, Sophie Rennert
14.
Lieder und Gesänge, Vol. 1: No. 4, Serenade aus Don Juan
01:45
(Gustav Mahler) Joseph Middleton, Mauro Peter
15.
Lieder und Gesänge, Vol. 1: No. 5, Phantasie aus Don Juan
02:05
(Gustav Mahler) Joseph Middleton, Katharina Konradi
16.
Lieder und Gesänge, Vol. 3: No. 13, Nicht wiedersehen!
05:27
(Gustav Mahler) Joseph Middleton, Sophie Rennert
17.
Lieder eines fahrenden Gesellen, GMW 10: No. 1, Wenn mein Schatz Hochzeit macht
03:35
(Gustav Mahler) Joseph Middleton, Simon Keenlyside
18.
Lieder eines fahrenden Gesellen, GMW 10: No. 2, Ging heut' morgen über's Feld
04:13
(Gustav Mahler) Joseph Middleton, Simon Keenlyside
19.
Lieder eines fahrenden Gesellen, GMW 10: No. 3, Ich hab' ein glühend Messer
03:18
(Gustav Mahler) Joseph Middleton, Simon Keenlyside
20.
Lieder eines fahrenden Gesellen, GMW 10: No. 4, Die zwei blauen Augen von meinem Schatz
05:26
(Gustav Mahler) Joseph Middleton, Simon Keenlyside
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